What the fuck has
happened to my ears? I feel like my head is inside a fish bowl,
people are talking to me but their words sound like aural cushions,
nothing is totally clear but I'm smiling, smiling a lot. I have never had such a
musical assault as I did last night from Bristol band Portishead at Vector Arena. Pin-drop clarity was combined with awe inspiring volume
and spleen rattling bass. From the opening bars of Silence the whole
audience was sucked into the bands musical womb and there we all
stayed, enraptured until the final bars of We Carry On an hour and
half later.
Mostly jumping between
Dummy and Third, with only two songs from their eponymous second
album, this was no trip down memory lane. Instead it was a lesson in
musical polygamy and effortless cool. The main players, Geoff Barrow,
Beth Gibbons and Adrian Utley, were occasionally picked out in the
lighting design or by onstage cameras but spent a majority of the
night bathed in shadows, allowing the music and the impressive
visuals to take centre stage. The only exception being when the three
key players took centre stage for a stripped down, beat free version
of Wandering Star, even then Barrow almost had his back to
the audience whilst Gibbon's head was bowed so low her
microphone disappeared into a curtain of hair. This lack of ego
onstage takes the individual personalities out of the music and makes
the band the entity, we
are watching Portishead, not Barrow, Gibbons and Utley.
The rest of the band
are technically hired hands, but it's hard to imagine a Portishead
without Clive Deamer safe guarding the rhythm with his slick, super
fast and highly technical drumming. He frees up Barrow to throw in
beats, scratches, samples and all the other complex musical wizardry
he does. John Baggot's keys added layers to the soundscapes and depth
to the rhythm, the best example being the John Carpenter meets
Kraftwerk back bone to Chase the Tear (released in 2009 as a charity
single for Amnesty International). On bass Jim Barr seemed to
effortlessly glide through whatever complex time signature was thrown
at him. At the same time he continued the eternal search for the
“brown note”, the note so deep and heavy that it makes you lose
control of your bowels.
And last night he came closer than any other that I have heard and
for that he should be applauded.
It's hard to see Portishead as the trip-hop pioneers they were
labelled as back in 1994, their doom, post-rock and hip hop inspired
sound has outgrown the genre they invented. Musically, they have
never been apologist or conformists, they have always followed their
own path and it is with that in mind that their audiences are willing
to put themselves in the bands hands and let them take them where
ever they want to go. It is the sort of trust you don't find at your
average “play the fucking single!” rock show. It reminded me of a
quote from David Simmon (creator of the Wire) when asked about how
the complexity of his shows story might scare off the casual viewer
“Fuck the casual viewer.” was his succinct response. And here I
say fuck the casual listener, you must allow them to take control of
a couple of hours of your life, if you do this you will be greatly
rewarded, the show, like their albums and like the band themselves
are a complete package and should be digested, understood and enjoyed
as such to get the full benefit.
The sound cushion
around my ears has faded and I'm back to normal now, the physical
memory of the bass is still bouncing around my insides and I intend
to hang on to it for as long as possible.
Steve Wheadon
For the purists amongst
you the shows set list is below, I stole it from someone else as I
am terrible at track titles, it's always “The fourth one of Dummy”
or “The opening track from Third”. Thankfully Marty Duda over at
13th Floor is
far more organised and put this together along with a proper
review of the show rather than a hungover waffle, check it out: www.13thfloor.co.nz
- Silence
- Hunter
- Nylon Smile
- Mysterons
- The Rip
- Sour Times
- Magic Doors
- Wandering Star
- Machine Gun
- Over
- Glory Box
- Chase The Tear
- Cowboys
- Threads
- Roads
- We Carry On
This is the bast review I've read of this gig - beats the hell out of the mainstream media who all got at least one fact wrong each.
ReplyDelete"lesson in musical polygamy" - inspired.
Thanks for providing a thoughtful and honest.
Thanks very much for the comment, I'm glad you enjoyed the review.
ReplyDelete